VerbBands
Frequency Shaped Reverb Plugin
This innovative Reverb has two strong advantages:
It lets you really craft where in the frequency range you add reverb
It sounds good, adding to your sound
Verbands was designed with a different concept in mind. Instead of applying EQ to a full-range reverb, Verbands just sends reverb to the selected bands on the frequency range, allowing for full control in the mix.
The two plugin modes give you the flexibility you need: craft the sound per frequency in Split mode, control overall sends in Full mode (like a normal reverb).
In VerbBands reverb plugin, Q determines the EQ curve of the sent reverb on each band
5 Reverb types with one thing in common, good sound.
Plate, Spring, Hall, Room, Shimmer
By adding different amounts of reverb to only one or a few bands in the frequency range, you can come up with some curious effects.
And in addition, a built-in effect is selectable: Dance, a tempo-synced modulator that creates cool sounding movement in the reverb, and can help avoid overfeeding certain frequencies in the context of the mix
Watch (and hear) VerbBands used on Acoustic Guitars
Guitars were recorded finger picking. The acoustic Guitar is a 1971 Kiso Suzuki Japanese replica of a Martin D28, it was recorded using a vintage Neumann microphone. Nothing else, no compression, no EQ, no limiting. Plain raw sound + Reverb
Watch VerbBands create a “Blade Runner” type of effect on a Rhodes
Plate first, then Shimmer Reverb type + manual size knob tweak
Here’s an example of moderate Reverb on strummed acoustic + vocals
Again, just clean instrument + VerbBands, nothing else not even EQ
Here’s VerbBands on a Vocal stem, Nagasaki on the song “One of those black days” by OnlyMachines
We intentionally kept a long decay, so you can really hear how each reverb sounds on a long tail
Playing around with an analog synth
This is a Kobol synth sound, recorded line-in